The past four years have brought about more upheaval in the publishing industry than the previous 400 years combined. From the time Gutenberg invented the printing press until the introduction of the paperback about 70 years ago, there weren’t many groundbreaking innovations. However, in the last few years, the publishing world has undergone an indie revolution similar to what occurred in the film and music industries.
With the introduction of desktop publishing, print-on-demand technology, and the Internet as a direct-to-consumer distribution channel, publishing became a service consumers could purchase, instead of an industry solely dependent on middlemen (agents) and buyers (traditional publishers). In addition, the exponential growth of e-books and digital readers has accelerated change, because physical stores are no longer the only way for authors to connect with readers.
While these changes have made now the best time in history to be an author, they have also made it one of the most confusing times to be an author. Not that long ago, there was only one way to get published: find an agent; hope he or she would represent you; pray they sell your book proposal to a publisher; trust the publisher to get behind the book and believe in the project; and hope that readers would go to their local bookstore and buy your book. This description of traditional publishing (or what some now call legacy publishing) is still a viable path for authors today, but now there are three other distinct paths an author can pursue to get published.
Let’s look at each of these paths and then compare their advantages and disadvantages.
DIY is a self-publishing option in which an author uses an upload tool like Booktango (an Author Solutions imprint) or Lulu to create a book and get it into distribution. Some of these solutions may be e-book only or have limited distribution, but if you follow through, you can get your book formatted and available for sale in at least one format and through at least one online retailer. Many of these options are promoted as “free” to publish, but there is a misperception that DIY means you don’t have to spend any money. Even if you choose the DIY path, you should still have your book edited, and you will likely have to invest in marketing.
ADVANTAGE: Usually the least amount of financial investment needed to publish a book in at least one format.
DISADVANTAGES: Formats and distribution can be limited. Most options do not have any professional services available, so an author has to find the services needed to complete the project apart from the publishing solution.
The second option an author can pursue is the General Contractor publishing path. This requires hiring a number of independent service providers such as an editor, book designer, publicist, etc. and coordinating all those activities.
Typically, you will need to obtain quotes from each of the vendors, based on the project, and it will likely require more of a financial investment than DIY. More importantly, if you decide to be your own general contractor, it will definitely take significantly more time to manage the process and coordinate the activities. You also have the option of hiring someone to be your general contractor. That’s because, as this option has emerged, a number of people have begun to promote themselves on the Internet as “publishing consultants.” They usually have some publishing experience but don’t typically offer any services themselves other than helping you find the vendors you need.
Depending on which services you choose and which vendors you use, this option can require the largest financial investment of any of the publishing paths and can take the most amount of time to manage the process.
ADVANTAGE: Select the special individuals who work on every aspect of your book and promotion.
DISADVANTAGES: Can require the most time and money, depending on scope of the project.
SAMPLE LIST OF PUBLISHING TASKS
|Write book||Interior design||Print books||Social media|
|Create title||E-book formatting||Ship books||Publicity|
|Copyright or protect||Cover copy||Track royalties||Video interview|
|Edit||Distribution for print formats||Website||Video trailer|
|Cover design||Distribution for digital formats|
|These are just some of the tasks that are needed to get a book published and promoted, so you want to have a clear idea of how much work you want to do yourself versus having someone else do the work.|
The third way that you can get your book ready for sale is to work with an supported self-publishing company whose bundles of services help you get your book and cover designed in print and digital formats, in distribution, and available for sale. In addition, these companies typically offer a full menu of professional services for publishing, promoting, and selling your book. Most of Author Solutions’s imprints, including AuthorHouse, Trafford, iUniverse, and Xlibris, fall into this category. The biggest advantage to this publishing path is that it’s a one-stop shop for everything that you could possibly need to achieve your publishing goal. Sure, it requires a financial investment, but because there is a range of package offerings and price points, it’s apparent from the start what you will get and what it will cost. This transparency is not always possible with the General Contractor path, because you won’t know what you will need to spend until you get all of your estimates. Another advantage to the supported self-publishing path is that you typically have only one number to call. In the case of ASI, you have 24/7 customer service available. In addition, you have only one vendor relationship to manage no matter how many services you use. With the General Contractor path, you will likely have multiple vendors, which can take considerably more time to manage.
ADVANTAGE: One-stop shop for everything you need to publish, promote, and distribute your book, and you have selection, service, and convenience.
DISADVANTAGES: Can require more of a financial investment than DIY, and packages may include services that you do not want or need, although some customization is usually possible.
The fourth path, Traditional (or legacy publishing), was the one discussed in the introduction. Historically, if you had a manuscript or book proposal, you needed to find an agent to represent you. Then, he or she would take the project to publishers with the intent to sell it and get an advance against future royalties. Unlike the first three paths, where you retain your rights to the content, on this path you assign the rights to the publisher, so you don’t have the same degree of control of your book as you do with the DIY, General Contractor, or Supported Self-Publishing paths. In addition, publishers can take a long time to evaluate, select, and actually publish a book, so you will need to be patient and resilient if this is the only path you want to pursue.
If you do find a traditional publisher who wants your work, you will likely find they can improve it because of their experience and expertise at making books better. They may also have a sales force in place to push certain books to retailers, so you may find support from them that you won’t have if you self-publish. However, as a result of the changes we have discussed, many traditional publishers are now looking at self-published books as a source of content that they may want to pick up. In fact, if you watch the headlines, you will see publishers acquiring the rights to titles from all three of the self-publishing paths discussed in this paper.
ADVANTAGE: Typically will improve the manuscript because of editorial expertise and potentially have sales force to push book. You may also get an advance.
DISADVANTAGES: Fewer new titles and authors are being traditionally published, so the odds of getting “picked up” are reduced. It usually takes the longest time of any of the options to get to market
A simple illustration to help you better understand your options
Now that I have laid out the four paths, I want to give you a simple way to think about these options, to help you have greater clarity as you compare your choices. Making a publishing decision today can be compared to options you have when you want to eat a meal. Your first option is to make a meal at home, which is typically your least-expensive alternative. However, you are limited by your own ability, knowledge of the cooking process, and the availability of ingredients. DIY publishing is akin to this.
Your second choice if you are hungry is to go to a food bar at a grocery store. There, someone has prepared a variety of options for you, and you pay based on what you select. You don’t do the same amount of work as you do at home, and you will pay more, but you meet your needs. The General Contractor path is a lot like this option.
The third way you can decide to meet your goal to eat a meal is to visit a full-service restaurant. Not only will you have food prepared, but you have a menu of packaged options from which to select. In addition, you will have people available to cook for you, serve you, and clean up after you are finished. You will pay much more for the restaurant salad than you will for the salad you make at home, but you are not just paying for the ingredients. You are also paying for the preparation, service, and convenience. To me, supported self-publishing companies are like restaurants, so to compare the costs of individual services on these different paths is like comparing the cost of making a salad at home versus having it made in a restaurant. While each uses the same ingredients, they are very different experiences.
So how does traditional publishing work in this illustration? It is like going to a fine-dining restaurant and having someone pick up the tab for you. The only caveat is that they will decide who eats at the restaurant and they have the final say regarding what is on your plate. That’s not necessarily bad, but it certainly doesn’t give you the control that you have with the other three options.
|DIY||Making a meal at home|
|General Contractor||Going to a grocery store food bar|
|Publishing Package||Going to a full-service restaurant|
|Traditional||Having someone order and pay for you at a restaurant|
|Choosing a publishing path is like choosing how you want to eat a meal. There are trade-offs between convenience and cost you should consider.|
How do you know which path is best for you?
Goals and expectations
If your measure of success is a New York Times best-seller and an appearance on the Today show, then no matter what path you pursue, you will likely be very disappointed. Set goals for what you would like to see happen with your book, and be realistic about what you might be able to achieve. There is no perfect system to predict which books will be breakout hits, so publish your best work, market it to a clearly defined audience, and stay committed to it.
Skills and experience
While there are options now for you to do things by yourself, if you don’t have the skills or experience needed to format your book or garner publicity, you should leave it to professionals. Hire the experts or work with an author-services company so you publish the best book possible and give yourself opportunities for success.
How much is your time worth? That is a key question when it comes to publishing, because getting your book into the market will take time. If you want to manage the process yourself, you can, but many choose author-services companies simply because they provide the most convenient and easy way to get a book into the market.
As with any purchasing decision, you should have a budget in mind when you are ready to publish.
The best time in history for authors and readers will only get better.
Not that long ago, very few people could get published, but now everyone can get published if they pursue one of the four paths. If you observe the transformation that has already taken place in the film and music industry, you will see content creation in those industries has exploded, which has given consumers more choices than ever before. Most importantly, new careers have been launched, many of which might not have happened had there not been a revolution.
Publishing is in the middle of its own revolution, and while self-publishing doesn’t mean everybody will be successful, it does mean everybody has the opportunity to be successful. In my opinion, that is a very good thing for authors, readers, and the industry.