I have to admit I was not a fan of outlining and have heard multiple debates among writers about whether an outline is needed. Some see it as essential before they start the writing process. Others see it as too restrictive and something that limits creativity. I probably would have fallen more in the latter category, but over the last few years, I have come to really see the value of establishing an outline before writing.
Having a good outline is like having a good map. GPS on our phones has made maps old school, but not that long ago, having a map was critical before embarking on a journey. For me an outline simply serves as a map. It establishes where you are starting and what your final destination will be and some of the key milestones you will pass on your journey. It doesn’t mean you can’t take a slightly different route once you begin your journey or add a stop or two. It just simply gives you a path to follow as you write. Too often, first time authors, write to get down on paper the essence of what they want to say, but don’t make it easy for others to follow along. An outline can help avoid that problem.
Three options for you to create an outline. Over the years, three different methods for outlining have become the predominant options for authors. There is no ranking of one, two and three. Rather, they present choices for you to find which method works best for you. The following list will touch on the basics of popular methods.
This classic outline includes Roman numerals, letters, and numbers for headings and subheadings. It is the most highly organized form of outlining and relies heavily on sequential thinking. It is often uses most for nonfiction works. The goal of the classical outline is to create a blueprint that effectively divides main ideas and subordinating ones, while at the same time coordinating ideas into a cohesive whole. Most of us learned this method in school at some point
In a summary outline, you start by sequentially listing plot events. Then write a short summary of each chapter. Clearly define goals for each chapter and discuss the characters, settings, and chapter timelines. This kind of outline is linear in nature. It can be used in conjunction with a classic outline to create an even more detailed blueprint for your book. It is also most often used for a fiction book.
This form of outlining is popular because it allows for constant reorganization of ideas. It is a great technique for when you
want to get all your ideas down and then begin to play with options for how the book or story could flow. You can use index cards or sticky notes and write down all the key events or points you want to make. Then on a wall or table, begin to layout the order you want the ideas or events to appear. This method is really helpful if you are a visual person and need to see the flow. It also helps you see where you may have holes in the story or a weak transition.
Have you used a outline when you write? If so, what method? Have you found it helpful. Use the comment section to let me know what you think.