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Posts Tagged ‘manuscript’

The title of the this blog post was actually the name of a panel I had the privilege of sitting on at Book Expo America. It was moderated by Chris Kenneally, business development director for Copyright Clearance Center. My fellow panelists were James McQuivey, who is vice president and principal analyst at Forrester Research.  He is the foremost analyst tracking and defining the power and impact of digital disruption on traditional businesses, and is also author of Digital Disruption, Unleashing the Next Wave of Innovation.  The other panelist was Angela James, who is executive director of Carina Press, Harlequin’s digital-first imprint, where, as its motto proclaims, no great story goes untold.  Founded in 2009, Carina Press releases e-books weekly in a number of fiction genres including romance, steampunk, gay-lesbian fiction, and science fiction.

To my surprise, the discussion including questions from the audience, was broadcast live on C-SPAN2, which is also known as BOOKTV. An archived version of that broadcast is shown below. It will also be shown again on BOOKTV the weekend of June 15 and 16.

If you are interested in books and what the disruption taking place in the publishing industry means for authors and readers, I think you will find this discussion very insightful and enjoyable.

CSpan interview

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The Author Learning Center was created with the purpose to help authors learn from other authors to improve their craft, understand their publishing options, plus gain insights on marketing and bookselling. I have made the statement before that I think it is the most comprehensive resource on the web for aspiring authors to learn about writing, publishing and marketing. The latest example that supports my case is this interview with Meg Waite Clayton, author of Wednesday’s Daughter’s among others.

Every good story has a beginning, middle and end. If you don’t have those, you don’t have a story

In this interview, which was filmed at The San Francisco Writers Conference, Meg shares some practical advice on the key elements to include in a novel that is well written. The interview is only three minutes long and definitely worth the watch, but in case you don’t hit play, here are her recommendations.

  1. Focus on the plot–Every good story has a beginning, middle and end. If you don’t have those, you don’t have a story
  2. Let your characters have flaws–Perfection is not that interesting according to Meg. Anger, frustration, shortcomings–these are the things that make characters interesting and help the reader relate to them.
  3. Deliver the details in an interesting way–Don’t just say the person has blue eyes. Describe the eyes as “dirty blue eyes” which tells you something about the person making the observation as well as the person being described
  4. Pay attention to your word choices– She quotes Mark Twain who says the difference between lightning and lightning bug is one word, but the addition of that one little word makes a huge difference.

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I have written many times about how much I respect the way the San Francisco Writers Conference runs their event. The sessions are always quite diverse and the keynote addresses are always top-notch. The other thing I really enjoy is meeting and hearing from authors who have been commercially successful. There are some exceptions, but for the most part, I have found these authors to be humble and encouraging to writers.

Take for example this interview with Robert Dugoni. He is the author of a number of best-sellers, including Bodily Harm, Murder One and The Cyanide Canary. He shares how to turn rejection into motivation to be a better writer.

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