Author Solutions, authors, Editing, Indie book publishing, Publishing, self publishing, writing

5 ways that mistakes in your manuscript can hurt your reputation as an author.

Proofreading Secrets_FrontCoverRecently, I had Kathy Ide write a guest post for this blog titled: LET’S EAT GRANDMA: The importance of proofreading. I interviewed Kathy for the Author Learning Center and found her to be quite insightful on a range of topics. She is a published author/ghostwriter, editor/mentor, and writers’ conference speaker.  Her latest book is Proofreading Secrets of Best-Selling Authors is a volume I would recommend to every aspiring author

What follows is a second guest post from Kathy that was originally published with the title, How to Uphold Your Reputation as an Author. As with her first post, I think you will find her points to be very helpful. Enjoy.

The buzz word in publishing is platform. But did you know that having mistakes in your manuscript can affect your reputation and platform?

 

Mechanical errors can give an unprofessional appearance to publishers and readers.

Even if your manuscript has already been accepted by a traditional publishing house, if their in-house editor has to spend all her time fixing your mistakes, she won’t be able to catch the deeper, more subtle nuances of your text. Besides, you won’t be presenting a very polished, professional image to your publisher.

Mechanical errors can be embarrassing.

A friend of mine once picked up a book at a bookstore and noticed a typo on the back cover. When she reported it to our critique group, she didn’t say she’d found a mistake on a book published by “XYZ Publishers.” She said she found the mistake on a “Jane Doe” novel. She didn’t connect the error to the publishing house but to the author.

Mechanical errors may cause readers to take you and your message less seriously.

I once saw a published article with this title: “Crowe Turns Hero to Help Snake Bite Boy.” The story was about actor Russell Crowe helping a boy who’d been bitten by a snake. But by spelling snakebite as two words, this sentence implies that Mr. Crowe helped a snake bite a boy! Now, I got a good laugh out of that. But I sure don’t want those kinds of mistakes showing up in my own writing.

Mechanical errors can affect the sales of your book.

Readers who find a lot of mistakes in your book will not be as likely to recommend that book to their friends. And who knows? You may have a high school English teacher reading your book, and she just might recommend it to her students . . . unless there are a lot of mistakes in it.

Mechanical errors can give you a poor reputation.

If you self-publish, or work with a small, independent publisher that doesn’t proofread carefully, your book may go out to the public with several typos, inconsistencies, or PUGS (punctuation, usage, or grammar) errors. Readers who catch those mistakes may consider you an amateur.

For a lot of avid readers, typos practically jump off the page. And many are familiar with the rules of punctuation, usage, grammar, and spelling. If your reader knows the rules and you don’t, that’s not going to make you look very good.

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authors, Editing, helpful hints, Publishing, self publishing, writing

Treat Your Book Like a Start-up: How Beta-Readers Can Help You Launch Your Book Successfully

BookCountry-logoLucy Silag, community and engagement manager at Book Country, has written a very helpful whitepaper outlining the benefits of including beta-readers in your writing process. Book Country is an online writing and publishing community that is a division of Penguin Random House. Lucy is a graduate of the fiction program at the Iowa Writers’ Workshop. She is also the author of the Beautiful Americans novels for young adults (Penguin/Razorbill) and has written nonfiction for magazines and blogs. What follows is an excerpt from her whitepaper, which you can obtain when you register on the Book Country site.

 What Is a “Beta-Reader”?

The idea of a “beta-reader” comes from the parlance of start-up companies. Before a company launches a new website, they will ask web-savvy “beta-users” to use their site and give feedback on it. The company then has a chance to improve their site before they make it widely available to the public, which helps them to make a better product and avoid bad publicity.

A “beta-reader,” then, is someone who reads your book and gives you feedback on it before you begin the publishing process. This helps you to see how readers would react to your book if you tried to sell your current version to them.

How do beta-readers help writers?

Beta-readers help writers to figure out which parts of their books are working and which parts need to be revised. Often, writers can’t see what’s not working in a manuscript unless someone points it out to them.  Additionally, a beta-reader can make suggestions for how to improve your book’s cover, marketing copy, and even your author bio.

Get a copy of this helpful whitepaper at BookCountry.com

Get a copy of this helpful whitepaper at BookCountry.com

Who Is the Right Beta-Reader for You?

Here are a few things to look for in your ideal beta-readers:

  • Do they read a lot of books, especially contemporary books? Are they aware of current publishing trends and bestselling writers?
  • Are they well-read in the genre that you are writing in? For example, if you are writing romance, you’ll want a beta-reader who has read many romance novels. They’ll be able to tell you how your book measures up against other writers of the genre.
  • Do they write too? A writer will be able to analyze your book in a way that goes beyond what the average reader will offer in terms of feedback. A beta-reader who is also a writer can tell you not just where you have made typos or copyediting mistakes but can also offer suggestions for how to improve voice, character development, plot, setting, and pacing.

Finding Beta-Readers through Online Workshopping

Online workshopping has become a convenient, low-risk, and free way for writers to get feedback on their work. Often called “online writing communities,” these sites are like social networks for writers and no-commitment writing classes all in one. Simply join the online writing community and exchange feedback with writers from the comfort of your own home.

What should you look for in an online writing community?

  • The community should have a fair system for making sure that members are actually reviewing one another, rather than just posting their own books for review.
  • Make sure the community has writers in your genre.
  • Writers reviewing manuscripts in a community should be exchanging detailed, honest feedback, and offering suggestions on how to make your book better.
  • You should be able to post new drafts of your book and archive previous versions of the manuscript so that you can access them as you revise.
  • The community should have credible ties to the publishing industry, so that you can trust the opinions and advice of the site’s content.
  • The community should be open to traditional publishing and self-publishing.
  • The community should be focused on helping one another.

What Kind of Feedback Makes Your Book Better?

A writer needs honest, detailed feedback about these writing issues:

  • plot
  • setting
  • character development
  • voice
  • continuity
  • setting
  • point of view
  • pacing
  • dialogue
  • clarity in specific lines or passages of the prose

Since so much of finding an audience and selling a book is about how a book is positioned in the marketplace, it’s also important to get feedback about how your book compares to other books in its genre, and whether the way it’s presented (for example, the book’s cover and title) makes sense to a reader. A writer should get feedback on his or her synopsis too.

Workshopping your book with beta-readers can be the difference between a great idea and a great book. Follow the example of successful start-up companies, and find beta-readers to help you launch your book successfully.

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Author Solutions, authors, Editing, Indie book publishing, self publishing, writing

When six words are enough to tell a good story.

Book lovers peruse new titles at the Author Solutions gallery at the Miami Book Fair

Book lovers peruse new titles at the Author Solutions gallery at the Miami Book Fair

One of my favorite events of the year is always the Miami Book Fair, which is held the week before Thanksgiving. It is one of the premier venues where authors and book lovers gather to meet, mingle and discover new books.  Along with the usual schedule of activities and outstanding street fair, this year included an interesting community event called #6wordsmiami. The premise was really simple.  People submit a six-word Miami-influenced story and the Fair published the best from among the 4,000+ entries.

Six words does not sound like a lot, but as the list below shows, a writer can express significant meaning in a mere half-dozen words.  Here are some of my favorites.

  • You: Category 5 hurricane. Me: shutters
  • Tie that mattress down good, bro
  • Without Castro, there is no me
  • T’was a dark and stormy party
  • Liquor smell. Like home. Like Dad.
  • He came. He saw. Date over.

Now why is something like #6wordsmiami helpful for writers to know about? Three reasons immediately come to mind.

  1. Sometimes you can say more by actually saying less.
  2. The right words, even if only a few, can create a powerful image that engages all the senses
  3. It is a reminder of  how important it is for writers to choose their words carefully

So as you write and rewrite and rewrite again, ask your self these two questions.

  1. Could I say what I just said with fewer words?
  2. Could I use a different word or sentence structure to create a more powerful image for the reader?
Story time at the Miami Book Fair in the Author Solutions book gallery

Story time at the Miami Book Fair in the Author Solutions book gallery

Chances are if you take an honest appraisal of your work, you will find places where you can improve it by simply remembering to use fewer words or using an even better word than the one you have chosen so far.

Remember no one buys a book based on the number of words or page count. They buy it because it is good writing that impacts them.

 

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authors, Editing, helpful hints, Indie book publishing, self publishing, writing

LET’S EAT GRANDMA: The Importance of Proofreading

kathyideOne of the things I enjoy most about my current role is the opportunity to meet and interact with some amazingly creative and professional people. A few weeks ago when I gave the key note address at the West Coast Writers Conference Indie Author Conference, I had the opportunity to meet Kathy Ide.  Kathy is a published author/ghostwriter, editor/mentor, and writers’ conference speaker.  Her latest book is Proofreading Secrets of Best-Selling Authors is a must read for every aspiring authorShe is also the founder and coordinator of The Christian PEN: Proofreaders and Editors Network (www.TheChristianPEN.com) and the Christian Editor Connection (www.ChristianEditor.com).  

I asked her to share some of her wisdom and experience with my readers through a blog post. Her post is what follows and I think you will find it to be very helpful.

 

LET’S EAT GRANDMA: The Importance of Proofreading

Have you seen the plaques and T-shirts that say:

Let’s Eat Grandma.

Let’s Eat, Grandma.

                        Commas Save Lives.

I love that! It shows how one tiny bit of punctuation can change the entire meaning and tone of a sentence.

You may think that as long as you’ve got life-changing content in your nonfiction manuscript, or an intriguing story with lots of conflict and interesting characters in your fiction manuscript, that should be enough. And yes, content and story are extremely important. But no matter how good those things are, you’ll be running some pretty big risks if you don’t bother proofreading your manuscript carefully for typos, inaccuracies, and inconsistencies … and learning the industry-standard rules regarding punctuation, usage, grammar, and spelling.

OK, you won’t be putting your grandmother’s life on the line or joining a tribe of cannibals. But tiny mistakes in your writing can have disastrous consequences. Here are my top ten:

 

  1. Mechanical errors can decrease your chance of acceptance by a traditional publisher.
  1. Mechanical errors can cause miscommunication.
  1. Mechanical errors can cause confusion.
  1. Mechanical errors can give an unprofessional appearance to publishers and readers.
  1. Mechanical errors can be embarrassing.
  1. Mechanical errors may cause readers to take you and your message less seriously.
  1. Mechanical errors can affect the sales of your book.
  1. Mechanical errors could cost you money.
  1. Mechanical errors can be distracting
  2. Mechanical errors can give you a poor reputation.

 

Professionalism Is Key

Proofreading Secrets_FrontCoverIf you’re writing just for family and friends, it may not matter so much whether every comma is in exactly the right place or if you have a few typos here and there. But if you want to get your book published in today’s highly competitive commercial market, you need every edge you can get. If you expect people to buy what you write, you need to take the time to do it right.

If you have a hard time finding typos, inconsistencies, and “PUGS” errors in your writing, consider hiring a professional proofreader. If you go to http://www.ChristianEditor.com and fill out the form for Authors Seeking Editors, you’ll be connected with established, professional editors who can make your manuscript shine.

A comma may not save Grandma’s life. But a careful proofread might make a life-or-death difference for your manuscript.

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Author Solutions, authors, book marketing, Editing, Indie book publishing, Publishing, self publishing

The Guardian newspaper in the UK suggests $6,000 needed to effectively self publish. Debate ensues.

Last week, Suzanne McGee, penned a feature  in the Money section of the Guardian, with the headline, You can try to be the next Hemingway — for $6,000 and the subhead, Self-publishing has made it possible to get your writing out in the world. But it hasn’t made it cheap.

In her article, she suggests based on her interviews with a number of self published authors, there are some critical elements you need to consider if you are going to self publish. Those include

  • An ISBN number
  • Editing
  • Cover Art
  • Paid reviews
  • Promotional print copies of your book

The GuardianShe suggested the total cost of the project would be around $6,000 with the two-thirds of that budget going to editing. Not surprising her article generated 80 comments and many opposing views.  Some were civil in their comments and some were rude.  Based on her response to the comments I think she was simply trying to point out that self-publishing is not and should not be considered a “free” opportunity as some might lead you to believe.

Certainly you can spend more or less than the amount she suggests, but those who were debating the number I think missed the most helpful points of the article.

  1. You are going to have to invest in editing to have a good book--I think this is the most important thing every self published author needs to remember and good editors are not cheap or free.
  2. You will have to invest time and money in promotion–She suggests paid reviews and many debate the value of those, but the point is you can’t just publish a book and wait for people to find it. You are going to have to spend some coin to garner interest and publicity.
  3. You will have to give things away before you see sales—In her article she suggests you need promotional copies of your book to hand out to media or others to get word of mouth about  your book started.  I think that is true, but there are other things you may want to consider as well.

The other great value to an article like this is it points out the need to have a simple way to evaluate the options out there for authors. I have written extensively about this topic and have a white paper title The Four Paths to Publishing, that layouts out the different opportunities available today for authors to get their books in the hands of readers.

If you would like to read the complete article in The Guardian, you can find it by clicking here.

 

 

 

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Author Solutions, authors, Editing, Publishing, self publishing, writing

Answers to Mistakes spell check would miss, but a good editor will catch

In my last post, I suggested that spell check does not take the place of a good editor.  In fact, it will overlook errors that an editor will catch. I gave these examples and asked you to see if you could find the mistakes.

  1. I did not here the gate change for my flight; so I did not get there bags on the plane.
  2. Once I realized I needed to move myself foreword: I had the angel I needed to see what I needed to sea.
  3. He was so surprised. He looked like a dear in the headlights.

Here are the corrections. quick edit of errors second attempt

 How many did you catch?

Also if you are looking for other information about editing, just simply type editing into the search box on the blog and you will find some helpful posts.

 

 

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Author Solutions, authors, Ebooks, Editing, helpful hints, Publishing, self publishing, writing

Mistakes spell check would miss, but a good editor will catch.

One of the most important things self-published authors can do is have their book edited by an experienced professional. Spell check does not count as editing despite what some first time authors may think. Let me just give you a few examples of mistakes in the following sentences that spell check would miss.

  1. I did not here the gate change for my flight; so I did not get there bags on the plane.
  2. Once I realized I needed to move myself foreword: I had the angel I needed to see what I needed to sea.
  3. He was so surprised. He looked like a dear in the headlights.

See if you can find them all and post your answers in the comment section.

In a few days, I will post the answers.

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