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Archive for the ‘authors’ Category

The Author Learning Center was created with the purpose to help authors learn from other authors to improve their craft, understand their publishing options, plus gain insights on marketing and bookselling. I have made the statement before that I think it is the most comprehensive resource on the web for aspiring authors to learn about writing, publishing and marketing. The latest example that supports my case is this interview with Meg Waite Clayton, author of Wednesday’s Daughter’s among others.

Every good story has a beginning, middle and end. If you don’t have those, you don’t have a story

In this interview, which was filmed at The San Francisco Writers Conference, Meg shares some practical advice on the key elements to include in a novel that is well written. The interview is only three minutes long and definitely worth the watch, but in case you don’t hit play, here are her recommendations.

  1. Focus on the plot–Every good story has a beginning, middle and end. If you don’t have those, you don’t have a story
  2. Let your characters have flaws–Perfection is not that interesting according to Meg. Anger, frustration, shortcomings–these are the things that make characters interesting and help the reader relate to them.
  3. Deliver the details in an interesting way–Don’t just say the person has blue eyes. Describe the eyes as “dirty blue eyes” which tells you something about the person making the observation as well as the person being described
  4. Pay attention to your word choices– She quotes Mark Twain who says the difference between lightning and lightning bug is one word, but the addition of that one little word makes a huge difference.

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I have written many times about how much I respect the way the San Francisco Writers Conference runs their event. The sessions are always quite diverse and the keynote addresses are always top-notch. The other thing I really enjoy is meeting and hearing from authors who have been commercially successful. There are some exceptions, but for the most part, I have found these authors to be humble and encouraging to writers.

Take for example this interview with Robert Dugoni. He is the author of a number of best-sellers, including Bodily Harm, Murder One and The Cyanide Canary. He shares how to turn rejection into motivation to be a better writer.

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Photo Illustration by C. J. Burton for The Wall Street Journal

Photo Illustration by C. J. Burton for The Wall Street Journal

Earlier this month, the Wall Street Journal, ran an interesting article titled, The Age of Bite-Size Entertainment, with the subtitle, As the world goes mobile, get ready for more movies, books and music that can be snacked on in a single sitting.

In the opening paragraphs, the writer made these observations.

When soap operas “All My Children” and “One Life to Live” come back to life online later this month, episodes will run for 30 minutes, about half as long as the hourlong blocks that ran on broadcast television for most of the shows’ 40-year run. Why? Because they’re likely to be watched on the go.

Everyone is talking about the binge-viewing craze, but as people increasingly consume TV, movies, books and music on mobile devices, briefer is better. Shorter formats “are in-betweeners, the cream in the middle of the Oreo,” says Jeffrey Katzenberg, chief executive of DreamWorks Animation.

Some of the biggest forces in entertainment are rushing out bite-size portions, not just to adapt to mobile technology but to test the appetite for heartier versions. If a serialized e-book catches fire, publishers will print the novel. A short film that goes viral on YouTube can lead to a feature film or television series. A well-received EP might prompt an album.

I have to admit before this article I had not given much consideration to whether this trend would impact the way we write books. Will we have to develop characters and plots more quickly?  Will the best writers be those who can write the best chapters and then string those together into a book, rather than outline a great book and then write the chapters to fit the outline? In a media and image driven culture, will dialogue become even more important when writing a book?

These are just some of the questions I have been thinking about in light of this article.  At this point, I don’t have any answers, but I wanted to know what you think. Use the comment section to offer your opinions and let me know if you have started writing differently to fit a shorter format.

Some of the biggest forces in entertainment are rushing out bite-size portions, not just to adapt to mobile technology but to test the appetite for heartier versions

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